Making Music In Time
A Real Time Interactive System For Composition And Performance
(click on to read)
Abstract:
This thesis presents an interactive system designed and programmed by the author to enable a performer to interact in real time with resynthesized and processed versions of the input sounds he/she produces. Specifically, it looks at how the author uses a modified electric-acoustic guitar with the interactive system to compose and perform music in real time. Technical details of both hardware and software are explained. Several musical applications of the program are described including composition of a studio piece, and live real time performance. The thesis focuses upon the ways in which the interactive system motivates and rewards performative musicianship.
A hexaphonic pickup built by Paul Rubenstein was mounted in the sound hole of an acoustic guitar for highly accurate detection of onset time
Premiered at the grand opening of the Digital Arts Research Center at UC Santa Cruz
protoTable:
Built by: Philip Lamperski, Peter Elsea, Rupa Dhillon, & Jesse Clark
The protoTable was unveiled at UC Santa Cruz’s Electronic Music Concert and resides in the Electronic Music Studios.
Explanation and Demonstration of Visuals:
Interior and Surface of protoTable:


Idiomatic Algorithms:



Gradual Shifts Score (Click to see the score)
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